{"id":91045,"date":"2024-05-08T11:05:11","date_gmt":"2024-05-08T09:05:11","guid":{"rendered":"https:\/\/visitstg2.visitbergamo.net\/oggetto\/klasztor-sw-benedykta\/"},"modified":"2024-10-08T16:58:41","modified_gmt":"2024-10-08T14:58:41","slug":"klasztor-sw-benedykta","status":"publish","type":"oggetto","link":"https:\/\/visit.valueservice.cloud\/pl\/oggetto\/klasztor-sw-benedykta\/","title":{"rendered":"Klasztor \u015bw. Benedykta"},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":91046,"template":"","categories":[1560],"tags":[],"aggr":[],"area":[867],"kind":[18682],"zona":[18762],"class_list":["post-91045","oggetto","type-oggetto","status-publish","has-post-thumbnail","hentry","category-gdzie-sie-udac","area-bergamo","kind-poi-pl","zona-bergamo-pl"],"acf":{"iu_shortprice":"","iu_timetable":false,"button_icon":"none","latitude":"45.696884","longitude":"9.664533","startingprice":"","gpxmap":"","iu_addr_postalcode":"24122","iu_addr_city":"Bergamo","iu_email":"","iu_kids":false,"iu_phone":"+39 035 247461","iu_cell":"","id_visit_manza":"10445","iu_motor_accessibility":"no","iu_visual_accessibility":"notsure","iu_auditory_accessibility":"notsure","iu_cognitive_accessibility":"notsure","tcm_content":[{"acf_fc_layout":"title","title_tag":"h3","title_text":"Arkusz danych"},{"acf_fc_layout":"text","text":""}],"id_madeep":"","iu_manager":"","description":"

Kompleks klasztorny San Benedetto, sk\u0142adaj\u0105cy si\u0119 z klasztoru i ko\u015bcio\u0142a, znajduje si\u0119 tu\u017c pod murami weneckimi, w miejscu, gdzie niegdy\u015b znajdowa\u0142a si\u0119 wioska Santo Stefano<\/strong>, dzisiejsza Via S. Alessandro<\/span>.<\/p>\n

Santa Maria Novella<\/strong>, pierwotnie skromna fundacja, przesz\u0142a w XIV wieku w r\u0119ce benedyktynek z S. Giuliano Bonate.
\nXIV do si\u00f3str benedyktynek S. Giuliano di Bonate.
\nBenedyktynki z Valmarina (wiemy o nich od 1153 r.) przenios\u0142y si\u0119 ze wsi w nast\u0119pnym stuleciu, osiedlaj\u0105c si\u0119 tu\u017c poni\u017cej, wzd\u0142u\u017c Via S. Alessandro (Rizolo).<\/p>\n

Wiadomo, \u017ce w 1448 r. wzniesiono niewielki ko\u015bci\u00f3\u0142, po\u015bwi\u0119cony trzy lata p\u00f3\u017aniej \u015bw. Benedyktowi; \u015blady architektoniczne po nim zachowa\u0142y si\u0119 po stronie Via S. Alessandro. Po 1493 r. obie wsp\u00f3lnoty zjednoczy\u0142y si\u0119, a nowe j\u0105dro szybko si\u0119 rozrasta\u0142o.
\nW 1504 r. rozpocz\u0119to budow\u0119 nowego ko\u015bcio\u0142a; ju\u017c w 1516 r. konieczna by\u0142a renowacja z powodu osiadania \u015bciany.
\nNowy projekt powierzono bergamo\u0144skiemu architektowiPietro Cleri znanemu jako Isabello<\/strong>, kt\u00f3ry by\u0142 ju\u017c odpowiedzialny za przebudow\u0119 wewn\u0119trznej kaplicy zakonnic, freskowanej w latach 1510-15 przez Jacopino de’ Scipioni i warsztat, p\u00f3\u017aniej przekszta\u0142cony w g\u0142\u00f3wn\u0105 zakrysti\u0119. <\/p>\n

W XVIII wieku ko\u015bci\u00f3\u0142 przeszed\u0142 kolejne zmiany, ale wraz z nadej\u015bciem Republiki Cisalpi\u0144skiej w 1797 roku i zniesieniem zakon\u00f3w, klasztor zosta\u0142 zamkni\u0119ty, a jego wyposa\u017cenie liturgiczne – w tym srebrny o\u0142tarz, szaty liturgiczne i liczne meble – zosta\u0142o zarekwirowane przez w\u0142adze napoleo\u0144skie.<\/p>\n

Ten sam los spotka\u0142 o\u0142tarze, w rzeczywisto\u015bci zar\u00f3wnoWniebowzi\u0119cie<\/em> Gianbattisty Moroniego<\/strong>, jak i \u015awi\u0119ty Szczepan<\/em> Calisto Piazzy<\/strong> zosta\u0142y przeniesione do Muzeum Brera. Pomimo tej sytuacji zakonnice mog\u0142y nadal mieszka\u0107 w klasztorze, cho\u0107 z bardzo ograniczonym \u017cyciem wsp\u00f3lnotowym.
\nKlasztor ponownie sta\u0142 si\u0119 klasztorem, zar\u00f3wno z nazwy, jak i w rzeczywisto\u015bci, wraz z przywr\u00f3ceniem go 10 maja 1827 roku. <\/p>\n

W znacznie nowszych czasach <\/span>klasztor po raz kolejny ujawni\u0142 szczeg\u00f3\u0142y swojej historii dzi\u0119ki niekt\u00f3rym pracom <\/span><\/span><\/span>wewn\u0105trz zakrystii – wraz z odkryciem fragmentu fresku cudownej Madonny <\/em>P\u0142acz\u0105cej<\/em>, co pozwoli\u0142o zidentyfikowa\u0107 staro\u017cytne miejsce orientowanego prezbiterium – oraz posadzce, przeprowadzonej w latach 80-tych XX wieku.<\/p>\n

\n

Ma\u0142y klasztor \u015bw. Benedykta<\/span><\/h3>\n

Wzd\u0142u\u017c Via S. Alessandro znajduje si\u0119 kru\u017cganek San Benedetto z portykiem, kt\u00f3ry stanowi eleganckie wej\u015bcie do klasztoru.
\nZbudowany przez Pietro Isabello, ma prostok\u0105tny plan z sze\u015bcioma okr\u0105g\u0142ymi \u0142ukami, wspartymi z trzech stron na kolumnach z piaskowca.
\nW dwunastu lunetach znajduj\u0105 si\u0119 XVI-wieczne freski autorstwa Cristoforo Baschenisa M\u0142odszego<\/strong>, przedstawiaj\u0105ce \u017cycie \u015bw.
<\/span>Ma\u0142y kru\u017cganek stanowi przej\u015bcie mi\u0119dzy zewn\u0119trzn\u0105 cz\u0119\u015bci\u0105 budowli a du\u017cym kompleksem klasztornym, kt\u00f3ry ma r\u00f3wnie\u017c bezpo\u015bredni dost\u0119p do ko\u015bcio\u0142a.<\/p>\n

\n

Ko\u015bci\u00f3\u0142<\/span><\/h3>\n

Ko\u015bci\u00f3\u0142 nadal zachowuje sw\u00f3j XVI-wieczny charakter i ma g\u0142\u00f3wn\u0105 fasad\u0119 oraz fasad\u0119 boczn\u0105 tr\u00f3jdzieln\u0105 z pilastrami; w centrum g\u0142\u00f3wnej fasady znajduje si\u0119 architrawiony portal zwie\u0144czony ma\u0142ym tympanonem.
\nBudynek ma centralny plan i kopu\u0142\u0119 zamkni\u0119t\u0105 w o\u015bmiok\u0105tnym tiburium.
<\/span>Ch\u00f3r, zamkni\u0119ty drewnian\u0105 transenn\u0105 i umieszczony nad eleganckim portykiem, umo\u017cliwia\u0142 odprawianie nabo\u017ce\u0144stw przy nowym o\u0142tarzu skierowanym na p\u00f3\u0142noc od Isabello.<\/p>\n

We wn\u0119trzu znajduje si\u0119 kilka godnych uwagi dzie\u0142 sztuki, takich jak <\/span>Madonna z Dzieci\u0105tkiem i \u015bwi\u0119tymi<\/em> w stylu Lotto, namalowana przez Lucano da Imola, oraz o\u0142tarz przedstawiaj\u0105cy <\/span>Cud wody tryskaj\u0105cej z arki \u015bwi\u0119tych Fermo, Rustico i Procolo<\/em> autorstwa G. P.<\/strong> Cavagna <\/strong>(1621).
<\/span><\/span>Cenna brama z kutego \u017celaza pochodzi z XVII wieku.
\nXVII W.
\nRze\u017abiona i z\u0142ocona drewniana sala komunijna Carabelli z Ticino przyci\u0105ga wzrok.
\nNast\u0119pnie pozostaje tylko spojrze\u0107 w g\u00f3r\u0119 i podziwia\u0107 fresk na kopule wykonany przez G. A. Orelli<\/strong> w 1756 roku, przedstawiaj\u0105cy scen\u0119 Koronacji Naj\u015bwi\u0119tszej Maryi Panny mi\u0119dzy \u015bwi\u0119tymi Benedyktem i Scholastyk\u0105<\/em>, a tytulariuszami r\u00f3\u017cnych wsp\u00f3lnot, kt\u00f3re stopniowo do\u0142\u0105cza\u0142y do pierwotnego j\u0105dra klasztornego na przestrzeni wiek\u00f3w. <\/p>\n

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